I create jewellery that becomes part of the owner’s uniquely portable art collection - an essential component in their everyday rituals
Fixated with texture …
My practice centres on materials-led processes, with tactile and sensory experiences informing the design and making of each unique piece. Living in East Devon since gaining a BA Hons materials based degree in 3D-Design at Brighton, I am currently researching for an MA at the Arts University Plymouth while still working as a designer/maker from a rural workshop in the valley of the River Otter. Keep an eye on my Instagram account for images of recent work, and click here for information on the shows I will be attending during the year.
Blessed with parkland and farming views on my doorstep, and open heathland and the World Heritage Jurassic Coastline only a short drive away, this connection to the natural world allows me to indulge my obsession with textures, embracing the imperfect and elemental.
“The earrings have arrived and they are fabulous - thank you!”
Just as nature is never static, much of my work alters & moves as you wear it
Pearls tremble on pendants, metal components slip and slide over each other, necklaces lengthen or shorten, textures become clearer as surface patinas mellow and gold accents sing out. While old favourites are regularly returned to, there are many unique, never to be repeated pieces that must be snapped up while available.
Ideas constantly arrive, often unbidden, while travelling or walking. Sometimes it is as simple as a half-glimpsed juxtaposition of shapes or a fleeting texture in the landscape. At other times it is a fresh view of a well worked motif, often triggered by research at my favourite museums, the V&A in London and Exeter’s own RAMM (Royal Albert Memorial Museum).
Slow Art
I undertake a carefully considered design process, practising laborious hand fabrication and finishing techniques, keeping a close eye on sourcing materials responsibly, as well as minimising waste. Concerned that the acquisition of precious metals is often achieved to the detriment of both the environment and the workforce, I am pleased to confirm that all the gold and silver I purchase is 100% recycled and equal in quality to unrecycled precious metals. While I primarily work in silver and gold, using non-precious materials such as copper has allowed me to create larger pieces that can incorporate a wider and bolder range of colours, two of which have been used as illustrations in Mark Runfola‘s 2014 book ‘Metal Patination Techniques for Jewelers and Metalsmiths’ (US-Interweave, UK-Thames & Hudson). New work created in response to my MA studies will add both glass and ceramics to my arsenal of materials, and new forms and colours are due to provide a new range of work for Summer 2024.
See my work
You can find my work at a range of select galleries that offer something different to attract a discerning public while also promoting Fine Crafts and the professional craftspeople who produce them. I exhibit at curated craft shows throughout the year so do seek me out for a chat - the company is always welcome and it is great to get first hand feedback.
View my portfolio
“Thank you for making my beautiful ‘Oyster’ Brooch, it’s very precious to me and I wear it with delight xx”